There are so many expectations bound up in this book.
From a plot standpoint, our author heroine (Lyra, a name I absolutely love) flees sunny California for the rundown mid-Atlantic foothills of Pennsylvania when her sister falls victim to a stroke. Lyra tries to meet the expectations of being a devoted sister as best she can, while also trying to stave off what's expected of a multiple-time best-selling author after a flop (namely: Write more, better).
This, of course, is complicated when she runs into her childhood best friend/love, Alex. Alex has not only felt the weight of the expectations of others, she has flat-out surrendered to them. Her mother expected her to marry a man and live the life of a stay-at-home mom, and only upon reacquainting herself with the force that is Lyra does she start to realize the crushing burdens of those expectations.
This book felt challenging - In a good way, mind you! But by no means an easy or breezy read.
Part of that, I think, lay in the expectations on my part. Expectations affect everything we do, from consuming media to consuming food to how we relate to other people. If we have an expectation, even if we don't realize it ourselves, failing to have that expectation met can leave you feeling off-kilter, or disappointed.
To put it bluntly, I expected a simple sapphic romance. It's more than that! Better in many ways, with lyrical prose and extremely vivid depictions of emotions and connection. And certainly much deeper in terms of the difficult subject matter it deals with.
But in its (successful, in my eyes) aspirations to literary fiction, the novel's insistence on hitting some of the simplistic romance tropes felt forced. I think the book would have worked much better had it simply shed its romance-constrained plot points and just kept exploring and exposing its beating heart, which was otherwise mesmerizing.
Expectations are a double-edged sword. I've no doubt "sapphic romance" has some advantages for marketing purposes, and with that designation comes certain expectations. I just think this book is better than that, and I'm only sorry it seems to try shape itself to a form it has clearly outgrown.
All that said, this book is a lovely, wonderful piece of work. And I truly can't wait to see what the author will do next.
This review is for an advanced reader copy of the book, provided by the publisher.
Lyra Moreno's life has fallen apart. Her latest book was a literary flop, and her on-again-off-again relationship was, again, off. When her sister suffers a stroke, Lyra returns to her small hometown to temporarily run her sister’s dance studio.
Lyra hopes the familiar setting will help heal her wounds and distract her from the pressures of a relentless agent, hungry publicists, and the curious public. It might have worked if she hadn’t run into an old flame—Alexis Marsh, now Alexis Cole.
Alexis’s worst fear was coming true—turning out like her mother. She followed the tried and true formula to happiness a handsome husband with a great job, two kids, a beautiful house, and a homemaker lifestyle. She should be happy. She is happy.
Her carefully curated reality begins to crumble when a ghost from her past breezes Lyra Moreno. Her high school sweetheart and first love—a person she had convinced herself had been little more than a minor character in a passing phase.
So why does she feel the need to prove she’s happy?
It took me a long time to read this book. Not because of the quality (it was softly mesmerizing, to no surprise), but because it's the second in what I assume is to be a trilogy. I kept seeing it in my TBR pile and would go to read it, before remembering that, once I finished it, there would only be one more chance to enter this world for the first time. So I put it off.
It was worth the wait.
Katia Rose's remote Vancouver (BC) campground – where these stories take place – even makes me, an avowed inside-only kitty, want to drive out and pitch a tent in the wilderness. Though perhaps there was a touch too much romanticism in the wild's seduction of the main character city girl, it's described with such loving detail that it's impossible not to get swept away.
The characters, as is always the case with Rose, are painstakingly crafted with realistic backstories, baggage, fears and doubts. But even grounded in realism, the sparks between the two main characters (Kennedy and Trish) are more than enough to convince of the romance catching hold, sweeping them away.
I thoroughly enjoyed this book, and wait with some trepidation for the last entry. It can't come soon enough and yet, I know, I'll have to wait to read it.
Trish Rivers lives a good life.
A happy life.
A safe and predictable life spent running the cafe at her family’s campground, perfecting her award-winning recipes, and terrorizing the local small town bartender with her endless supply of bad jokes.
Trish has never wanted more—or at least, she’s never admitted she wants more, but that was before Kennedy March showed up on Vancouver Island.
That was before Trish realized falling for your sister’s girlfriend’s best friend doesn’t fit into a safe and predictable life, especially when you’ve never fallen for a girl before.
Kennedy’s not sure why life as a real estate star in Toronto doesn’t feel quite as shiny as it used to, but a spontaneous vacation to visit her newly coupled-up best friend seems like the perfect opportunity to ignore the problem.
Three weeks without client calls, benefit galas, and, most of all, dating apps is worth braving the woods for, but her plans for relaxation come crashing to a halt at the sight of Trish—the absolutely off-limits and definitely straight little sister of her best friend’s new girlfriend.
There’s no path to each other that doesn’t end in disaster, but the farther they go, the more Trish and Kennedy realize it might be too late to turn back.
Almost enough to make me want to visit Canada. Almost. (j/k I love British Columbia, and no other provinces.)
Whyyy do I feel so seen when I read these books?
Oh, right, queer book website. Duh.
Every thought, action and emotion that flitted through main character's Phoebe's mind made absolute sense to me. The tight, choppy prose (the entire novel is presented as a particularly terse teen's personal diary) immediately told me who this girl was and how she saw life. How confusing interpersonal relationships seemed to be, veering from one end of the emotional spectrum to the other with hardly a breath inbetween. The whiplash as you try to tamp down the hard, bad feelings no matter how much they struggle and whimper, only to have them explode out from your grasp when you least expect it.
Writing characters on the autism spectrum is hard. (I'm going to take a wild leap of faith here and assume Phoebe is on the autism spectrum, despite never being officially confirmed in the novel.) Much in the same way that depictions of mental illness handled incorrectly can seem trite or patronizing to those who actually have those conditions, too often autism comes off as performative, a collection of traits or tics or quirks instead of a character.
Phoebe, on the other hand, feels authentic and true in a way I haven't often encountered in a novel, especially one aimed at younger readers. Both in how she relates to herself and others, I can 100% confirm her actions are, if not exactly how I would act, completely within the realm of possibility. In that portrayal, I can see how some people might be put off by the book (much in the same way I find some neurotypical folks are put off by neurospicy behavior and thinking).
Though I don't think I can classify this novel as happy or peppy, it was nevertheless driven and energetic. It doesn't have a sad ending, per se, but it's not all sunshine and rainbouws (no, that's how they spell it in England, it's fine). But oh my gosh, this book was a wonderful chance to step outside myself and see the world filtered through someone else who thinks just like me. And that's so rare and valuable, I can't help but cherish it.
In this wry and hilarious queer YA romantic comedy, fifteen-year-old Phoebe realizes that falling in love is maybe not just for losers.
Did you know you can marry yourself? How strange / brilliant is that?
Fifteen-year-old Phoebe thinks falling in love is vile and degrading, and vows never to do it. Then, due to circumstances not entirely in her control, she finds herself volunteering at a local thrift shop. There she meets Emma . . . who might unwittingly upend her whole theory on life.
This is a laugh-out-loud exploration of sexuality, family, female friendship, grief, and community. With heart and hilarity, Wibke Brueggemann's sex-positive YA debut is perfect for readers who love Heartstopper and Casey McQuiston.
The joke drew me in, but the clarity and earnestness of the writing kept me through the end. I had not actually heard about the Canadian girlfriend until the musical Avenue Q, but it's a well-trod trope: Oh, you see, I do have a significant other, they just live far away (in Canada, usually). It's a way of saving face in front of others without ever needing to produce said person, and it rarely works as well as those who deploy it might hope.
I don't even want to get into the specifics all that much, because I feel like the reveals and the plot advancements really go hand-in-hand. Suffice it to say, one of Rory's three jobs involves teaching at a local ballet school, and she has a minor crisis when her own Canadian Boyfriend unexpectedly shows up after an intervening decade-plus, mourning his deceased wife. Hilarity ensues.
There's a meet-cute, and some adorable stumbling and mixups, but the overwhelming feeling I took away from this novel is contentment. Which is odd, given the context and the fairly in-depth discussions of and visits to therapy we get from both the mains! But these characters are so lovingly and realistically presented, with flaws and hope and charm, that I couldn't help but be swept up. Even when issues and problems are confronted, the book doesn't shy away or seem to take the easy route. There's conflict and difficulty, but there's also an underlying layer of care (from both the author and the characters) holds the surges before they overwhelm.
A wonderful book you'll want to sit with and luxuriate in. I'm only upset the follow-up is still a year-plus away!
There's a particularly spirited dispute over the definition of "hosers" that I think gets close to the truth but doesn't quite nail it. Though, as someone who grew up in a state that only touched Canada, my opinion probably doesn't get me very far.
An engaging sapphic romance novel whose villains felt heartrendingly drawn from real life. Aussie protagonist Jen's relationship with her family, her faith and the accompanying judgment
made me uncomfortable for the first half of the book or so; I was mildly concerned it was going to take a swerve into late 90s lesbian fiction (spoiler alert: One or both of them always die, because queer relationships weren't allowed happily ever afters. Thankfully, not a concern here). I eventually realized my discomfort lay in how much it reminded me of the same thoughts and feeling I had when I was younger. So huge props to the author for making that aspect feel so realistic!
But I come not to damn this book with faint praise; the relationship between the two leads was lovely, a simultaneous instant attraction that builds slowly but surely. I sincerely hope the author got to expense a bike trip to France for all the details that were put in; I can't speak to their truth, but it certainly helped me feel like I was along for the ride.
Changing Gears sweeps you off your feet as Jen, a reserved private school teacher from Sydney, discovers love and faces the ultimate test of self-discovery.
When Jen collides with Abi, a magnetic Scottish travel writer, on a serene cycling expedition through France, sparks fly and temperatures rise. But their flirtatious two weeks together challenges everything Jen thought she knew about herself, her beliefs, and her future. Their sizzling chemistry not only makes her question her conservative upbringing but also ignites a fire of self-exploration she thought she had extinguished years before.
As Jen grapples with returning to her old life in Sydney, she finds herself entangled in a heated conflict when a student faces cruel, homophobic bullying. Fuelled by her newfound courage, she takes a stand against injustice, risking her job and confronting her deepest fears to protect her student.
Just when the chaos reaches its peak, Abi reappears, forcing Jen to confront her innermost desires and make a heart-wrenching decision. Will she embrace love and acceptance, defying her family and risking it all for a chance at happiness? With the stakes higher than ever, Jen must summon the courage to be true to herself, no matter the consequences.
Packed with longing, resilience, and the power of love, Changing Gears is a captivating tale that will leave you breathless. Join Jen on this emotional rollercoaster as she navigates the storms of her heart and discovers the true meaning of bravery in the face of adversity. Don't miss this gripping romance where love challenges boundaries and drives one woman's journey to authenticity.
The ending felt a bit "and everyone clapped!", but it was still satisfying.
A good deep-dive into the crypto world. Faux does a great job of explaining how crypto (doesn't) work, and the various frauds/scams. Definitely the best book-length treatment currently out there, and an excellent gateway drug to Web3 Is Going Just Great.
Give the Lewis book the widest possible berth. That man legitimately thinks that his simplified narrative version of SBF perfectly encompasses how SBF’s actual human brain works. He also seemed unable to comprehend that SBF was straight up lying to him at points while also lying by omission. Simply wild ironclad belief in one’s own power of perception. Hard pass.